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Francois Boucher

French Rococo Era Painter, 1703-1770

Gemälde ID::  26670

Urteilvon Paris
mk53 1754 oil on canvas 164x76.6cm
das Öl von mk53 1754 auf Leinwand 164x76.6cm
French Rococo Era Painter, 1703-1770

   
 

 

 
   
      

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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640

Gemälde ID::  30569

Urteil von Paris
mk68 Oil on wood. madrid,Prado c.1639 Netherlands
mk68 Öl auf Holz. Madrid die Niederlande von Prado C. 1639
Flemish Baroque Era Painter, 1577-1640

   
 

 

 
   
      

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MENGS, Anton Raphael

German Neoclassical Painter, 1728-1779

Gemälde ID::  30622

Urteil von Paris
mk68 Oil on canvas Saint Petersburg,State Hermitage Museum 1757-1759 Germany
Spricht mk68 Öl auf Leinwand Petersburg Staatliches Einsiedleienmuseum 1757-1759 Deutschland.heilig
German Neoclassical Painter, 1728-1779

   
 

 

 
   
      

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Henri-Pierre Picou

(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch. His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire

Gemälde ID::  74510
Judgement of Paris
Medium Oil on canvas Dimensions 21.63 X 27.5 in (54.93 X 69.85 cm) cyf
(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch. His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire

   
 

 

 
   
      

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Paul Gauguin

French 1848-1903 Paul Gauguin Art Locations

Gemälde ID::  85074
Judgement of Paris
1902(1902) Medium Oil on canvas Dimensions 26.5 x 45.5 cm (10.4 x 17.9 in) cyf
French 1848-1903 Paul Gauguin Art Locations

   
 

 

 
   
      

Paul Gauguin
French 1848-1903 Paul Gauguin Art Locations
Judgement of Paris

        
 
   
 

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